— Eileen Clancy (@clancynewyork) January 26, 2016
Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium—with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.
Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as “postinternet.” Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others.
Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.
Copublished with the New Museum of Contemporary Art, New York
Programme de la journée
1er février 2016, 9h – 17h, Institut Mines-Télécom, Amphi Thévenin, 46 rue Barrault Paris 13
Accès Métro ligne 6, station Corvisart
Guest editor: Philippe Viallon, Full Professor, Unesco Chair “Journalistic and media practices”, University of Strasbourg, France
February 1, 2016: submission of the proposal in the form of an abstract of maximum 2 pages. The proposal must include a list of recent references;
Mars 1, 2016: acceptance of the proposal;
July 30, 2016: full paper submission;
October 1st, 2016: full paper acceptance.
Découvrir la revue Essachess
ABSTRACT SUBMISSION DEADLINE 2/21/2016
Convenors: Christopher Kelty (UCLA), Joan Donovan (UCLA), Aaron Panofsky (UCLA)
Explores the dark side of infrastructure and how participation, collaboration and maintenance can be looked at from the perspective of illegitimacy, inequality, and evil. Papers will address under-researched, unintended or surprising aspects of science, engineering and infrastructures.
There is one month to go before the 15 February deadline to submit proposals for the 2016 conference of the International Association for Media and Communication Research (IAMCR). The conference will take place from 27-31 July at the University of Leicester in the UK.