GIF Collider 1.0 exhibit

capture-decran-2016-10-26-a-09-47-22Have you ever wondered what happened to all the GIF animations that sparkled in the dawn of the internet? According to artists Greg Niemeyer and Olya Dubatova, they have become part of the digital subconscious, and the Berkeley Art Museum & Pacific Film Archive (BAMPFA) is presenting what that subconscious might look like, in an exhibit called GIF Collider.

Niemeyer studied both the Internet Archive’s collections of GIF animations and the Prelinger Film Archives from the 1950’s. He noticed how the film archives, which include ads, educational films and propaganda, show a heavy gender and racial bias. In comparison, the GIF animations from forty years later reflect less gender and racial bias—but we can’t help but wonder with more historical distance, what kinds of bias will become apparent in the future?

For three days, from Wednesday, October 26 to Friday, October 28, from dawn to dusk, BAMPFA invites you to ponder these questions as thousands of GIF animations emerge and collide on the huge public outdoor screen in a ballet of memory and erasure. Call it an outstallation, and it’s free for those walking near the intersection of Addison Avenue and Oxford Avenue in Berkeley. The GIFS will be presented in several chapters, playing for 30 minutes of every hour.

Gif Collider 1.0A special showcase with music made for the GIF Collider by Paz Lenchantin (Pixies) and with live music performances by Trevor Bajus and Space Town is planned for Friday, Oct 28, from 6-8pm, weather permitting.

What:  GIF Collider 1.0
A showcase at the Berkeley Art Museum
When:  Wednesday, October 26 to Friday, October 28
Where:  Berkeley Art Museum and Pacific Film Archive
2155 Center Street
Berkeley, CA 94704
This event is free and open to the public.

OpenEdition vous propose de citer ce billet de la manière suivante :
Valérie Schafer (26 octobre 2016). GIF Collider 1.0 exhibit. Web90 - Patrimoine, Mémoires et Histoire du Web dans les années 1990. Consulté le 18 février 2025 à l’adresse https://doi.org/10.58079/va3n