Cfp Journal Internet histories : submissions open

capture-decran-2016-10-04-a-17-30-56Find out how to submit to the journal at www.tandfonline.com/rint

The title of the journal, Internet Histories , suggests there is not one single and fixed Internet history going straight from Arpanet to the Internet as we know it today, from United States to a world-wide network. Rather, there are multiple local, regional and national paths and a variety of ways that the internet has been imagined, designed, used, shaped, and regulated around the world. Internet Histories: Digital Technology, Culture and Society aims to publish a range of scholarship that examines the global and internetworked nature of the digital world as well as situated histories that account for diverse local contexts.

AOIR Pre-conference – 404 History Not Found: Challenges in Internet History and Memory Studies

aoir2016AoIR routinely hosts several preconference workshops before the main conference. Attendees must register to attend a preconference; the price of the preconference is included as part of the main conference. All workshops will be held on October 5th.

 

voir la liste des pré-conférences 

Parmi elle celle organisée par Camille Paloque-Bergès (HT2S Cnam, membre de Web90 ) et Kevin Driscoll (University of Virginia):

404 History Not Found: Challenges in Internet History and Memory Studies

How did the Internet become relevant in today’s culture and politics? How were its codes and rules—whether technical, social or cultural—constructed, challenged, and normalized? How did net culture become a mass phenomenon of global importance? To understand why and how the “Internet rules” today, it is essential that we look back at the internet’s past. In this pre-conference, we will discuss the specific theoretical and methodological challenges that arise in the study of the internet through time and memory, for purposes of both historiography (what net histories and how?) and epistemology (net histories as an object of media research). Attendees will be invited to participate in three hands-on, interactive sessions organized around issues, sources and methods fundamental to researching net diachronicity.

Net history survives in unexpected places, unfolding through time and space, collapsing in on the present. The artifacts that surface may be incomplete or inscrutable absent their original contexts, requiring us to borrow creatively from other fields and develop new historical methods (Ankerson, 2011; Brügger & Finnemann, 2012; Paloque-Berges, 2016). From formal archives and oral histories to lingering web sites, software, and hardware artifacts, the material evidence of the past suggests a diversity of social, temporal, and technical regimes. Indeed, recent scholarship on early networks reveals a greater range of experiences, technologies, norms and motivations than is found in best-known histories of the internet (Brammer, 2015; Brunton, 2013; Driscoll, 2014; Hargadon, 2011; Mailland, 2015; Paloque-Berges, 2011; Rankin 2014, 2015; Russell, 2014; Russell & Schafer, 2014; Schafer & Thierry, 2012; Schulte, 2013; Streeter, 2011). In their wake, we question how to make sense of conflicts and contradictions while respecting the subjective lived experiences of individual participants. What is our responsibility to find and document hidden histories, obscure sources, and less visible networks? How will a richer understanding of the internet’s past change how we engage with its present and imagine its future?

This pre-conference will include three workshop sessions organized around core research challenges in net history: (1) epistemology, (2) sources and methodology, and (3) mediation and transmission. Selected participants, rather than present whole case studies, will intervene on specific challenges—for instance: theoretical paradoxes or deadlocks, methodological problem-solving, and demonstrations of born-digital artifacts. The audience will be involved by taking positions, suggesting ad-hoc solutions, and identifying common themes.

(…) This pre-conference will be a full-day workshop facilitated by Kevin Driscoll and Camille Paloque-Berges with support from the Agence Nationale de la Recherche project Web90. The discussions and hands-on activities will be accessible to all AOIR attendees but will be especially engaging for researchers encountering issues of temporality, memory, nostalgia, or a need to “go back in time” in their own work.

En savoir plus 

 

Exploratory Programming for the Arts and Humanities

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This book introduces programming to readers with a background in the arts and humanities; there are no prerequisites, and no knowledge of computation is assumed. In it, Nick Montfort reveals programming to be not merely a technical exercise within given constraints but a tool for sketching, brainstorming, and inquiring about important topics. He emphasizes programming’s exploratory potential—its facility to create new kinds of artworks and to probe data for new ideas.

Nick Montfort is Associate Professor of Digital Media at MIT. He is the coauthor of 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 and Racing the Beam: The Atari Video Computer System, the coeditor of The New Media Reader, and the author of Twisty Little Passages: An Approach to Interactive Fiction, all published by the MIT Press.

Nick Montfort, Exploratory Programming for the Arts and Humanities, The MIT Press, Avril 2016.

 

Humanités numériques : la culture face aux nouvelles technologies

wwwladhul_1460361178955_1460361178955.xml« Il ne s’agit pas d’une révolution numérique, mais d’une civilisation numérique ». Cette phrase prononcée par Irina Bokova, directrice de l’Unesco, résume à elle seule l’importance des humanités numériques. Contrairement à ce que l’on pourrait croire, celles-ci ne sont pas l’affaire de quelques geeks lettreux, mais, traitant de notre patrimoine et de nos identités, elles nous concernent tous et nous accompagnent déjà au quotidien.
Dématérialisation du savoir, démocratisation de la culture, mais aussi mort du livre et création de nouvelles inégalités, les humanités numériques font débat : quel rapport voulons-nous entretenir avec notre passé et les autres communautés ? Quelles limites fixer à la collecte et à l’exploitation
des données ? Comment réguler les usages délictueux ?
Au travers d’une analyse précise et d’exemples concrets, Dominique Vinck montre que les humanités numériques vont bien au-delà de la diffusion de l’informatique. Elles sont un défi posé à notre société pour la nouvelle humanité que nous voulons construire.

Dominique Vinck est Professeur à l’Université de Lausanne (Institut des sciences sociales). Spécialiste de la sociologie des sciences et des techniques, il dirige le laboratoire de cultures et humanités digitales ainsi que la Revue d’Anthropologie des Connaissances.

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